Innovate : Integrate Exhibition

The Innovate : Integrate – Building Better Together exhibit opened on October 6th at the Center for Architecture in New York. A big thank you to all the attendees and supporters! It was wonderful to share the Inhabitable Skin concept with such an interested and diverse audience. Special thanks to the contributors for donating valuable time, expertise, and resources to the development of materials and details as well as the full scale panel mockup, in particular Kreysler and Associates, Construction Solutions, Inc., Core Composites, and Grancrete, Inc. We hope for the Inhabitable Skin to be a continuing dialogue between architects and engineers for a number of applications and will be further presenting the model at the upcoming Greenbuild Conference in Chicago. For interested parties from afar, below are some photos of the exhibit on display until January.

Full Exhibit

Material Panel

Building Model

Overview and Rendering

Media coverage (and other great pictures of the Curtain Wall competition finalists) can be found at:

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Inhabitable Skin

The Inhabitable Skin is an innovative exploration of materials and manufacturing processes that results in a three dimensional form that exists as an independent monocoque structural assembly. The formal expression of the skin is driven by the necessity of structure, environment and context, but ultimately it bends to the will of the designer who is capable of controlling it. The exciting prospect for a designer is the ability to explore form, but within a framework of definitive influences towards an architectural end. For the engineer, the Inhabitable Skin represents a revolution in structural morphology, an exploration of structural form not constrained by linear and planar elements but a combination of complex surfaces.


Inhabitable Skin: Case Study

The concept of the Inhabitable Skin offers the potential to revitalize and re-energize densely populated urban centers. It focuses on existing masonry clad highrise buildings and takes advantage of the inherent strength of their structural systems. The Inhabitable Skin is a three dimensional lightweight composite cladding system that directly replaces the existing masonry veneer. The difference in self weight between the two systems represents the opportunity for inhabitation. In essence, the lightness of the composite skin allows for an extension of the floor plate to support additional live loading. The skin and floor extensions are fabricated with Polymer Matrix Composites and act together as an ultra efficient singular monocoque structure. The structural premise of the Inhabitable Skin relies on the reloading of the edges of the existing structural slabs in exactly the same manner as the masonry veneer that was removed. This allows the skin to act as a kind of cocoon that can be attached to the existing building’s exterior without relying on a separate supporting structure or adversely impacting the building’s existing gravity or lateral load resisting systems.






The opportunity for such an application in urban communities is surprisingly abundant. Each opportunity offers its unique set of influences to the visual character or language of the skin based on context, building orientation, materials, massing, etc. Some of the most evident opportunities exist on the facades of highrise buildings adjacent to much shorter buildings. In these cases, the existing building façade is limited by the potential of the shorter building to be replaced by much taller building. The façade is therefore unable to respond directly to its context but rather to its potential context. The Inhabitable Skin concept allows the building’s skin to operate on a shorter life cycle than the core of the building and therefore the building’s exterior can more dynamically react to its local conditions.

This current evolution of the concept focuses on masonry clad highrise buildings in Manhattan and suggests a formal response through a case study of an existing building located in midtown. This specific building was chosen because of its prominence in the midtown Manhattan skyline as well as the amount of masonry on its façade with a clear southern exposure. This coupled with the fact that it is a residential highrise building, offered a compelling scenario for intervention with some clear design influences and constraints. Below is a set of before and after images of the conceptual design for an Inhabitable Skin.


Existing Building


Inhabitable Skin Application

The form of the Inhabitable Skin in this case study is driven by the necessity to create a structurally cohesive form influenced by its environment. The direct southern exposure of the façade challenges the skin to respond as a passive solar shading device to reduce the thermal heat gain potential of direct sunlight into the interior spaces. Therefore, the symmetric forms of the skin on either side of the existing windows blocks early and late day sun and the rippling in the surface creates passive shading at each floor level for direct midday summer sun. The form of the Inhabitable Skin is constrained by the extents of brick masonry on the façade as well as the location of program on the interior of the building. The effectiveness of the solar shading as well as the creative freedom enabled by composite materials is evident in the rendering below. This specific skin design solution extends the floor plates up to 10 feet from the existing face of the building and adds more than 11,600 square feet of rentable floor area to 36 stories of an apartment building.

Polymer Matrix Composite materials have been around for many decades but concerns regarding their UV stability, fire resistance and sustainability have limited their impact on the building industry. This case study specifically addresses these issues through an innovative layering of materials. The composite structure of the panel is fabricated with a protective exterior coating of high density ceramic concrete as well as a lightweight fire resistant ceramic concrete interior coating. The layering of these materials to perform their individual but complementary tasks creates a highly efficient and lightweight system which reduces the overall energy footprint in fabrication, delivery and on site construction when compared to traditional methods of façade replacement.

This concept will be presented for the first time at the Innovate: Integrate – Building Better Together exhibition at the New York Center for Architecture. The exhibit opened on October 6th and runs until mid-January.

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The dynamic intersection of structural engineering and architecture

Structural engineering is transforming.

The structural engineer of this century will be very different from that of the last century. Maybe not all of the structural engineering community, but at least a very exciting subset. The practice of engineering has traditionally been slow to adapt to new technologies and new ideas, but in order to keep pace with the formal experimentation that is occurring now in architecture, it has to evolve.

TD Center

TD Center, Mies Van Der Rohe

The International Style beginning in the early 1900’s and leading into the Modernist movement in Architecture set the stage for a kind of reductionism in architectural expression, but it also represented the consolidation of structural theory into the practice of modern structural engineering.  The leading theorists of the architectural movement sought to create a kind of formal expression that was devoid of ornament and represented a re-thinking of geometry right to its core elements of line and plane.  These geometrical typologies became the expression of this new style as seen in the work of Mies Van Der Rohe, Philip Johnson, and Le Corbusier, but they also represented the dominant elements of engineering calculation.

Glass House

Glass House, Philip Johnson

The industrial nature of the movement, summarized by Le Corbusier’s description of buildings as “machines for living” was inspired in part by the technological advances in material and manufacturing rising from the Industrial Revolution.  The movement latched on to the evolution of steel, concrete and glass as its core materials and sought to express the character of these materials and their manufacturing processes in this new style.  Steel therefore took on the character of the line or curve, geometrically the extrusion of a point along a path.  Glass became the simple expression of a plane and concrete offered the potential to merge the two typologies together as a slab-beam hybrid.

Villa Savoye

Villa Savoye, Le Corbusier

As a result, most building structures today are reduced to a language of line and plane, or in engineering terminology, beam or column and diaphragm or shear wall.  This is the basis of modern structural engineering.  Even complex forms are described using these most elemental terms.  The notion that structural engineering today is transforming stems from the fact that architecture at some level can no longer be simplified in this way, or at least it does a disservice to architecture to reduce it to these terms.  Architects today are exploring the definitions of geometry and its expression in a similar manner to the International Style but with a much more sophisticated set of geometrical typologies and much more sophisticated methods to manipulate them and to manufacture the resulting forms.

Structural engineers today need to evolve our methods and adopt new skills in order to play a constructive role in the evolution of architecture.  This is the intersection of structural engineering and architecture.  It is the new role of the structural engineer, one in which he contributes to the development and definition of form, one in which he is an active participant in the conversation.  In order to do so, the structural engineer of today needs to augment his traditional education with studies in geometry, modeling, meshing, computation and methods of analysis beyond the line and plane.  A kind of discovering of the tenants of the Bauhaus concerned with craftsmanship and industrial technologies but in a computationally more sophisticated design environment.


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